A while back we talked about how the eye completely ignores things that the camera insists upon showing, even highlighting. As a result, it’s tricky to frame a photo so that it shows more or less what my eye first noticed and appreciated, and nothing else.
Do I include context?
Do I go in close, excluding anything that might distract while trying to hang onto the essentials?
Do I experiment, moving the main subject into the background?
Why not all three? Pixels aren’t pricey, and flowers like this at the end of September are priceless.